Tuesday, September 9, 2008

EMG Guitar Pickups

EMG, Inc first started manufacturing guitar pickups back in 1976, known as EMG pickups. Over the years they have earned the reputation for quality, clear sounding pickups used by many professional artists. ESP guitars and Jackson guitars currently use EMG pickups as their standard pickup design. Their high output is preferred by hard rock and heavy metal guitarists because of the pickups higher gain output as opposed to most lower output pickups. Some of the bands and artists who currently endorse EMG pickups are Tom Morrello, Zakk Wylde, Stephen Carpenter, Metallica, Slayer and many others

The most common EMG pickups are the EMG 81 and 85. The EMG 81 is usually considered to be the lead pickup and is more commonly used in the bridge position, while the EMG 85 is mainly used as a rhythm pickup more used in the neck position.

Personally I have had great success with using EMG pickups in a Gibson Les Paul and 7 string ESP guitar especially if you are into heavier sounding music. The clarity, deeper tone, and added gain are what make the pickups more suitable. One negative thing about the EMG active pickups is the need for a 9 volt battery, but it's not much of a problem because the battery lasts for a long time. You just need to make sure you replace the battery at least every 6 months because of tone loss over time.

Installation for a set of EMG pickups is fairly easy depending on the type of guitar you have. With the right tools I was able to install a set of Zakk Wylde custom EMGs in Gibson Les Paul in under an hour. As long as you follow the right installation diagrams for your type of guitar you should not run into any problems. For more information about EMG pickups and to learn to play guitar check out CrazyOldManMusic

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Monday, September 8, 2008

The Weekend

Oh what a weekend; exasperating days, nights of debauched behaviour and drunken antics!
What it is to live by the seaside! As the visitors arrive looking for fun; they implode with excitement and go ever so, slightly mad!

As they escape from far-away, congested cities to the serene lands of tranquil countryside and beautiful golden beaches. Do they revel in these exquisite surroundings? No, their ebullience is reserved for the frequenting of bars and getting decidedly smashed!

They came, they consumed and became inebriated; they were narrow minded and very, very loud. The insecure, exhibitionist of questionable intelligence claimed to be of an 'international (of the club scene) pop singer' status; he was not able to go out much, due to the weekly social club appearances. So a weekend at the seaside turned into a very depraved affair. Unfortunately for us they were staying next door.

We heard all about his iconic eminence in club land, his popularity; his expertise; we chuckled at his constant need for reassurance, "I'm good aren't I?"; "I'm the best aren't I?" We heard all about his gym, his personal trainer 'Dan' and his belligerent pursuit to a fitter, better body; we heard all about how he has forsaken his beloved pint for vodka and Red Bull, because Dan had advised him that it has less calories!
We heard a lot!

We ventured into town for the pre-requisite pub crawl, they were indeed ready for action; loud and adulterated; they vied for attention; they mocked; they resounded; unabashed they were obstreperous and crude.
The 'international pop star' did not care for the locals (too scruffy!) or the band of musicians in our parochial pub; he criticised the singer's voice, the sound, the music. As he vociferates to all of his disdain for bands. "Too much noise!"

So we were forced to encroach on the tacky bright lights of the tourist's Mecca. To a sweaty, smoky milieu of thumping dance music and cheesy party tunes that filtrates the ears but not the soul. Sticky floors of spilt cheap lager cling to our feet and imprison in us in this empty, shallow place of drunken stag / hen parties, excited teenagers and the decamped weekenders.
Where gaggles of girls giggle and dance; evoking moods of silliness they wear costumes to attract, like peacocks their strut, displaying their tails. Intoxicated males stumble in clusters; clutching with addled impetuosity at any passing females; any piece of meat! A blow up doll surfs the crowd; floating gracefully like a feather above the herds of marauding stags. As they wrestle and jostle in their boozy camaraderie.

As we watch from the sidelines the 'international pop star' elicits his moves on the dance floor; thrusting his body to the music, drawing on his stage routine, sliding on his knee's ; provoking attention, high on adulation he basks in his glory.
Oh, how they were drunk on merriment and excessive alcohol; oh, how they laughed, danced, poked fun and rambled aimlessly.

When the night was called and we stumbled home in the wee hours laughing gleefully; with not a care in the world.
But how the mood can change so abruptly! When the liquor, drenched atmosphere can incense and inflame.
In the middle of the night; in the early hours of the morn, contentions ignited and an argument did rage; screaming, shouting, swearing, banging, for the whole neighbourhood to hear. We cringed in our beds, we struggled to sleep; we longed for the weekend to be over and the visitors to leave!

As quickly as they arrived, they departed, leaving a trail of carnage and bitterness in our hearts. Why travel so far to insensate the mind? Why dissipate the body in tacky bars and overpriced clubs? Call that a holiday, when they do the same at home? To live by the seaside, the party town; with it's summer haze of drunken revelry and boisterous larks. How we pine for the winter and a glorious, desolate town!

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Sunday, September 7, 2008

Dance Floor Tips: The Art of Dance Floor Socializing

Anyone who has ever been to a social dancing event knows that not everyone has a good time, or at least not equally so. Some sit out many (if not all) dances, while others never seem to sit down. Why the difference?

There is only one reason for dancing at a social do: to have fun. There is no competition, no need to be absolutely perfect in the steps, and no reason to be stern and serious while cutting a rug. The key skill is the ability to socialize while keeping feet in time to the music.

This is easier said than done for some people, and is what makes the difference between sitting on the sidelines and hitting the floor. Many people are very self-conscious about dancing, either because they dont know the steps or because they think they look silly. Others are so intense while doing the steps that they can barely look up, and even when they do, conversation is impossible because they are silently counting and concentrating on foot movement.

Beyond the basics of dance etiquette, there are some rules of thumb that warrant following to master the art of dance floor socializing. Here are some examples:

Prepare yourself. If you know that there is a big event coming up that will include dancing beyond the non-contact freestyle sort, learn the steps. Take a social dancing class or two to master the basics. And practice. When the event comes along, you will be able to take to the floor without worrying about your skill and having to count in your head.

Dress to dance. Think about the dancing part of the event when you plan your outfit. Shoes need allow you to move safely, clothes need to make it easy for a partner to make contact as you move through various steps and turns.

If you want to be asked to dance, put on your happy face. Looking stern will make you appear unapproachable. Tap your fingers or toes to the music, smile, and make eye contact.

On the other side of the coin, try not to refuse an invitation to dance. Most songs are no more than three or four minutes long, so dancing with someone that might not be your ideal partner should not be too much strain. Be gracious, be polite, and you will be rewarded!

Dont dance with just one person. Dancing with a wide set of partners is a cornerstone of social dancing. Dance with everyone, and get everyone to dance.

When you make it out onto the dance floor, keep the fun going. Again, some rules of thumb:

Be entertaining. While having a good time yourself, engage your partner. Think of dancing in terms of moving to music while carrying on cocktail party conversation. Dance at a level you both enjoy, and exercise a good sense of humor. And smile!

Make your partner feel appreciated. The most popular dancers are not the most skillful, but the ones who clearly appreciate and enjoy their partners. Most people are not interested in dancing with someone who is obviously bored or feeling put upon, no matter how great their footwork may be.

Never blame your partner for anything that may happen on the dance floor.

Do not start teaching on the dance floor, unless your partner asks you to do so. Unsolicited lessons are more likely to embarrass your partner than to make them happy. If you are a more skilled dancer, you should be able to match yourself to your partners level of ability.

If you are leading, do so comfortably. Cranking your partners arm to force a turn or pushing and pulling them into position will not be a pleasant experience. If your partner is not doing what you want, your lead probably was not clear enough or beyond her own skill level. Tone it down and lead steps that can be transmitted and received enjoyably.

If you are following, dont start back-leading. It is disrespectful to your partner when you steal the lead.

Protect your partner. If you are leading, anticipate the movement of the other dancers and move your steps into empty areas of the floor so that you dont run into other couples. If you are following, keep an eye out behind your partners back. If a couple is bearing down in his blind spot, let him know with pressure on his hand or shoulder, or simply by telling him.

Avoid humming or singing along with the music you are dancing to.

Social dancing is social. Each dance is a brief encounter that should be fun for both partners. Approach the floor with a good attitude and sense of humor, concentrate on the enjoyment of dancing rather than technical proficiency, and dont worry if there are missteps or other mistakes. Youll go home well exercised and happy!

This article was contributed by Master Portable Floors. Master Portable Floors is the floor of choice by professional dancers. The floors have been rated highest quality by the American Swing Dancing Association and the Ball Room Dancing Association. Master Portable Floors has a unique flex action that provides a comfortable dancing surface that reduces hip and joint injuries. To learn more about Master Portable Floors visit www.masterportablefloors.com.

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Unique Baby Names for Girls

When you are trying to pick the right baby name it can be very time consuming looking through baby names' lists and weeding through all the names. You want a unique name for your baby girl but you don't want it to be bizarre or outrageous. For some couples the right name comes to them easily. Yet for others, especially those looking for a more original name, it can be overwhelming, after all there are thousands of names to choose from. Here is a list of some unique names for baby girls and their meanings. These names are creative but still pretty.

Unique Girls Names:

Audrey (English) means noble or strong. Famous people with this name include Audrey Hepburn or Audrey Wells. Other variations of the name Audrey include Audra, Audelia, Audene, Audessa., Audrielle and Audrina.<

Babette (French) means stranger or lovely. A variation of this name is Barbette. Nicknames that go with Babette include Babe, Baby, or Ettie.

Chloe (Greek) means blooming. Chloe Webb and Chloe Sevigny are two actresses with this name. Some other variations include Cloe, Kloe, Cloey, or Clorinda.

Flora (Latin) means flower. Saint Flora was martyred in 851.

Jacelyn (English) Other names include Jaceyln include Jocelyn, Joselyn, Jacinda or Jacey.

Leyna (German) means little angel. Other possible names include Lena, Leana, Leena, or Leila

Natalie (Latin) means birthday or child born on Christmas. Famous people with the name Natalie include Natelie Wood and Natelie Cole. Other spellings and variations of the name Natalie include Nataleigh, Natalina, Natalia and Natalya.

Ophelia (Greek) means useful or wise. Other variations of the name include Ofelia, Ophelya, or Felia.

Rhiannon (Welsh) means a mythical nymph. Rhianon was a popular Stevie Nicks' song. Other variations include Reannon, Rheanna, Rianne, Rianna, or Rhyan.

Sadie (Hebrew) means princess. Other variations of the name Sadie include Sadee, Saida, Sadiegh, or Sade.

Virginia (Latin) means chaste or maiden. Famous for the state named Virginia. Famous people with this name include Virginia Wolf and Virginia Dare. Nicknames and variations include Virginnia, Ginny, Ginger, or Ginni.

These are just a few unique baby names for girls. Picking a creative name for your baby may take some time. You may end up going back to some of the names that were popular generations ago but are not so popular now. Take some time to jot down your favorite names and hopefully before your baby arrives you will find just the right one for her.

Patty Hone is a mom of four children and the co-founder of Justmommies.com For more unique baby name ideas visit Justmommies Baby Names database at http://www.justmommies.com/pregnancy/babyname.shtml

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Top Ten Things To Do At A Rock Show

My sister and I have been going to local rock shows on a regular basis (usually at least one per weekend) for a little over two years now, and between waiting for the bands to set up, sound checks, and the random nothing in between acts, there can be a lot of downtime. We realized that there are quite a number of fun/funny things to do while were waiting, so we thought wed make a list of them ala top ten style.

Top 10 things to do at a show

10. Find the creepy drunk people for safety/entertainment purposes.

Every bar has them - the drunks who cant quite control themselves. They either end up making out with everyone, or picking fights with everyone. Its best to find them early in the night and keep an eye on them.

9. Take pictures of everyone

Take pictures of your friends, band members, random strangers. Its a great way to meet people!

8. Check out the band's merch

Very important. Many bands travel long distances to play and they depend on merch sales to pay for gas. Its a great way to get to know band members who tend to hang out at their merch stands, and sometimes you can get some free stuff, too.

7. Drink

Hey, thats what bars are for, right? While youre at it, buy drinks for the people sitting around you. Youll get some instant best friends that way!

6. Decide what to get at Sheetz on the ride home

Sheetz is a gas station in our area that serves food. You can substitute any place that sells food.

5. Try to guess how many people are taller than you.

You can substitute the word taller here with just about anything. (We use taller since were vertically-challenged.)

4. Stand at the bar until someone buys you a drink

This one works for us on occasion , usually when we cant seem to get the bartenders attention. If we stand there long enough, someone will get the bartenders attention and order our drinks for us.

3. Make friends with the bouncer (it will help you later when he's kicking everyone else out)

Plus, the bouncer can get pretty lonely sitting by the door by himself. They can get a bad rep, but theyre usually pretty nice.

2. Watch the band

During their set or in between sets, bands can be pretty entertaining to watch. Many band members have that personality type where theyre always trying to entertain everyone around them, and they love to be the center of attention, so you might as well give them the attention they crave.

1. Write top ten lists.

Self-explanatory. One we wrote recently - Top Ten Reasons Rock Shows are Better Than Strip Clubs.

Tonia Jordan is an author on http://www.Writing.Com/ which is a site for Writers.

Her portfolio can be found at http://www.Writing.Com/authors/spidergirl so stop by and read for a while.

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Saturday, September 6, 2008

Getting The Most Out Of Your Salsa Lessons

This may sound simple but you simply must take lessons and if possible take two or even three a week if you can; especially at the start.

Why do we recommend you take so many lessons each week? Salsa music is complicated, may beats interwoven, and it takes time to tune your ears and feet to the rhythms.

By taking so many lessons at the beginning it reinforces what you are learning and will pay big dividends later on in the learning process.

When starting to learn Salsa its better to join a group lesson; private lessons are great for working on specific parts of your dancing but you will not get them most out of them until you have the basics down.

When joining a group lesson pick one for your level; its better to under estimate your ability than over estimate it.

There is nothing more off putting then arriving at your first lesson and find yourself out of your depth; surrounded by come dancing contestants!

Some tips on choosing the right group to learn with.

1) A class that runs for 6 to 10 weeks at least once a week.
2) The lessons are progressive; this is where you build up each week on the moves learned.

In your firs couple of months you should look too:

2 progressive classes each week

1 night out practice session at a club or event

1 private lesson after approx 5 weeks or more not essential but great to work on specifics.

Your First Lesson

Well done you have made it to your first class. May be you have come on your own or brought a dance partner. One thing we can guaranty is that you are feeling nervous.

You are worried that you have no rhythm, that you have two left feet which are on backwards. Most of all you are worried about falling flat on your face not able to dance Salsa.

As this is a beginners class look around you will see every one is looking and feeling exactly the same. You are not alone.

Remember its about having fun Its not a competition.

Here are some basic rules about lessons you should stick to what ever your level.

1. Find a teacher that suits you, its not one size fits all. There are many Salsa teachers and many ways to teach Salsa each person needs different things to enable them to learn. If your first teacher dose not do it for you find another. Your learning so get the most out of it by having a teacher and class that suits you.

2. Stay focused on what is being taught. This may sound a little simple but if you only have an hour to learn why waste it on chatting; you can do that after at the bar.

There are 1000s of distractions in class, your partner, other class members, that new cute dance partner that your about to dance with. Remember youre paying to learn Salsa; get your moneys worth.

3. Swap partner during the lesson. Yes thats right dance with different people. You may have come with a friend or significant other and want to dance with them. If the instructor is asking you to rotate your partners join in.

Why do this? it will speed up the learning process and get you used to dancing with different people; you will be doing this in the clubs. The major benefit is learning to lead and read a lead; by changing partners it will teach you to make the connection with your dance partner which will make your Salsa experiences much more pleasurable.

4. Face the same way as the instructor you are trying to follow. This will simply help you pick up the moves they are teaching much quicker. Sounds simple but you will be amazed out how many people dont do this.

5. Count out loud yes in the classes count out loud this is the one thing you should do all the time in class. I stress do this in the class so you dont have to do it in the Salsa club where it would not be accepted.

Both you and your partner should do this in the classes. Dancing in time to the rhythm is the most important part of dancing salsa. The simplest of moves or sequences look amazing when danced in time with the music.

6. Write down the move or sequence. Give your self time at the end of the class to write down what you have learnt. You will quickly develop a short hand for the different turns and moves that make up a sequence.

Dont ever stop doing this at what ever level you are at. I bet your instructor writes down the new sequences they learn. Again a very simple idea but it will speed up your learning no end.

Ok here is something that you need to understand it will take approximately 2 months to start find you feet. Some people are quicker but every one has that moment of enlightenment eventually when they feel the Salsa rhythm in their sole and the feet begin to follow.

We have said this before its about having fun not competing.

Lee has been dancing salsa for over 3 years and enjoys travelling all over the world to learn more about salsa dancing. He is the webmaster for http://youcansalsa.co.uk a Cuban Salsa dance website.

Did you find these tips useful? If you would like to find out more about Salsa dancing please visit http://youcansalsa.co.uk and discover how you can learn to dance salsa and be a hit on the dance floor!

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Center for Latin American Studies, UC Berkeley
Latin American Studies Explores the history and rich cultural legacy of Mexico, ... Covers the literature, art and music of Latin America as well as its geography, ...
http://www.clas.berkeley.edu:7001/Outreach/education/lessonplans/OASproject/index.html

JJA Library
... say the first latin -jazz artist in the history of this prestigious jazz ... Far Eastern and other types of music , besides Latin American or Afro-Caribbean. ...
http://www.jazzhouse.org/library/index.php3?read=latin1

New Titles: Books: Lewis Music Library: MIT Libraries
Unsung: a history of women in American music . ML82.A45 2001. Anderson ... From tejano to tango: Latin American popular music / edited by Walter Aaron Clark. ...
http://libraries.mit.edu/music/news/403/books.html

UVM Women's Studies Department Faculty
Jane Ambrose (Professor Emerita, Music ) -- Music history , women in history ... Ignacio Lopez-Vicuna (Spanish) -- Latin American literature and cultural studies, ...
http://www.uvm.edu/~wmst/wmsfac.html

Resources for Ms. Triffo's Music of Spanish Speaking Countries Project
Articles About Latin American Music ... of Latin American Music and ... Tango History . Astor Piazzolla - tango argentino. Carlos Gardel, his life, works. ...
http://melvil.chicousd.org/latmus.html

SFUSD Celebrates Latin - American History Month
Parade of Flags Celebrates Latin - American History Month. When: ... Readings, plays, music , dance and discussions on Latin - American issues are ...
http://www.sfusd.k12.ca.us/news/latinhistory.html

www.williams.edu/resources/committees/cep/div2.html
History 164 Slavery in the American South ... History 242 Latin America From Conquest to Independence ... Music 130 History of Jazz. Music 140 Introduction to ...
http://www.williams.edu/resources/committees/cep/div2.html

Fulbright Scholar Stories: Ricardo Estrada Zamorano
... Theater and Dance, Latin American Culture and Music ; Spanish Zarzuela ... Besides teaching about Latin American music and culture, the scholar presented ...
http://www.cies.org/stories/s_rzamo.htm

Gettysburg College - Latin American Studies Course Options
FYS 129 Music of Spain and Latin America. FYS 195 Tales of Torture and Terror ... LAS 263/Hist 262 Modern Latin American History ...
http://www.gettysburg.edu/academics/latin_american_studies/latin_americanstudiescourseoptions.dot

Lehman College: Department of Latin American and Puerto Rican Studies ...
Music . Division of Natural and Social Sciences. Nursing. Philosophy ... LAC (ARH) 143: Introduction to the History of Latin American Art. 3 hours, 3 credits. ...
http://www.lehman.edu/bulletins/laprs/undergrad.html

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